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A short Techquickie explainer on why laptop webcams are much worse than phone cameras. It covers sensor size, image processing, and the interface differences between laptops and phones, with input from a Logitech engineer.

LGR looks at the 1988 Canon Xap Shot, a still video camera that records photos to a floppy disk as analog NTSC signal rather than digital data.

A School of Life animated overview of Albert Camus, covering his existentialism and absurdism and his answer to the question of meaninglessness.

David Spiegelhalter, Professor of the Public Understanding of Risk, uses statistics to weigh everyday risks such as bacon sandwiches and cycling. The six-minute piece introduces micromorts as a way to compare the risk of dying.

Climate Town gives a comedic, fast-paced account of how the plastics industry promoted recycling, including the resin-code recycling symbol, while knowing most plastic could not be economically recycled. It points viewers to the Frontline documentary Plastic Wars for a deeper treatment.

A Wendover Productions explainer arguing that major airlines make much of their profit from loyalty programs and co-branded credit cards rather than flying. It frames airlines as quasi-banks that sell points in bulk, using United's pandemic-era loan as a hook.

A Kurzgesagt explainer asking whether organic food is really healthier or better for the environment. It defines what organic means and looks at pesticide use, nutrition and environmental impact, with sources.

A short RepresentUs explainer on how money corrupts American politics and what an anti-corruption act could do about it. It covers lobbying, super PACs and campaign finance, and pitches the group's proposed reforms. The video was later superseded by an updated version.

A short RepresentUs explainer arguing that US politics is shaped by money, citing the Gilens and Page Princeton study on how little average citizens influence policy.

An Every Frame a Painting video essay on Michael Bay's style, 'Bayhem', covering his camera movement, composition, color and editing. It argues that even if you dislike his films, they teach something about visual perception.

An Every Frame a Painting video essay analysing how Edgar Wright creates visual comedy through framing, camera movement, editing, sound effects and music.

Tom Scott explains why electronic voting is a bad idea. Elections must be trusted by everyone and attacks on software scale in ways attacks on paper do not, so open source or blockchain fixes do not solve it.

Technology Connections takes apart a 1940s Sunbeam Radiant Control toaster. It senses the toast's own browning and lowers and raises it automatically using purely mechanical parts and no electronics.

CGP Grey explains first-past-the-post voting and why it pushes elections toward two dominant parties. It is the first in his series on electoral systems.

Every Frame a Painting analyzes how Jackie Chan stages action comedy, with nine principles such as starting from a disadvantage, using the environment, clear shots, and keeping action and reaction in the same frame.

A short CGP Grey explainer on the alternative vote (instant runoff voting) versus first past the post, made around the 2011 UK referendum. It shows how ranked ballots are tallied and why they avoid spoiler effects.

CGP Grey explains the Single Transferable Vote, a proportional ranked-ballot system, and why politicians have little incentive to adopt it. It is a short animated explainer of how multi-winner ranked voting works.

VFX supervisor Jonas Ussing examines what studios mean by "no CGI", showing how much invisible CGI hides behind practical-effects marketing. It is the first part of a multi-part series that includes analysis of doctored behind-the-scenes footage.

Tom Scott explains for Computerphile why electronic voting is a bad idea, arguing that paper ballots are transparent, auditable and hard to tamper with at scale. He covers why moving voting to phones, tablets or computers undermines trust and verifiability.

An Every Frame a Painting video essay on how Akira Kurosawa used movement, weather and composition to tell stories. It draws on clips and interviews with other filmmakers.

Numberphile interviews cryptographer Ron Rivest about end-to-end verifiable voting. He explains how homomorphic encryption and receipts let a voter confirm their ballot was counted without being able to prove how they voted to anyone else.

CGP Grey explains Mixed-Member Proportional representation, the system used in New Zealand where voters get two votes. It covers how it differs from first-past-the-post.

An animated simulation comparing single-winner voting methods such as plurality, instant runoff and STAR. Colored regions show which candidate wins as a randomized electorate shifts across a two-dimensional political space, building on Ka-Ping Yee's earlier diagrams.

Technology Connections explains why single-hose portable air conditioners are inefficient and often a poor choice compared with window units. It details how the single hose pulls in warm outside air and wastes energy.

A video essay from Every Frame a Painting about Vancouver, a major film production city that almost never appears onscreen as itself. It shows clips of films and TV shot there that pass the city off as somewhere else.

A short CGP Grey animation showing how the US electoral college lets a candidate win the presidency with as little as about 22 percent of the popular vote. It lays out the arithmetic of winning states by narrow margins.

Technology Connections examines an old feature-rich microwave and shows how it uses a humidity or steam sensor and lookup data to cook food well, arguing it beats many modern ones.

A video essay from Every Frame a Painting on animator Satoshi Kon and his editing style, which distorts and warps space and time. It draws on his four features and one TV series.

CGP Grey explains how the 2015 UK general election showed the flaws of first-past-the-post voting, with parties like UKIP winning many votes but few seats.

FortNine surveys motorcycle airbag technology and explains why airbags have not reached mainstream adoption. It breaks down gear such as the Helite Turtle, Dainese D-Air and Alpinestars Tech-Air.

Matt Parker of Stand-up Maths examines scatter plots that were claimed to show fraudulent vote-switching in Michigan's 2020 election. He recreates the analysis and shows that the pattern arises from comparing percentages across different bases, not from fraud.

A six-minute explainer from Undefined Behavior on range (score) voting. It follows an earlier video on Arrow's Theorem and shows how range voting seems to satisfy the criteria Arrow's Theorem says no ranked system can.

Matt Parker examines claims that Biden's 2020 vote counts violate Benford's Law, explaining the law and why it often does not apply to precinct-level election data.

A five-minute animated explainer of liquid democracy, in which voters can delegate their vote to trusted people. It starts from the origins of democracy and contrasts direct and representative models.

Primer uses simulations to compare voting systems such as first-past-the-post, approval, ranked choice and others. It shows how each system behaves and can be manipulated, with links to further voting theory resources.

Linus Tech Tips reviews the first Framework Laptop, a fully repairable and upgradeable machine. The reviewer expected a flimsy chunky device and was happily surprised.

Linus Tech Tips reviews Walmart's $250 Motile 14-inch Ryzen laptop and finds it surprisingly decent for the price. It covers the Ryzen 3 chip, Vega graphics, and aluminum build.

Linus Tech Tips warns against cheap Android TV boxes, many of which ship with preinstalled malware. It looks at several boxes and suggests safer alternatives such as Chromecast and Nvidia Shield.

A video essay on how the editors of Star Wars: A New Hope recut and rearranged the footage to rescue the film. It walks through specific changes that improved pacing and drama.

Insider explains how The Mandalorian replaced green screens with LED walls that project real-time 3D environments behind actors, with over half the show filmed on such virtual sets.