audio

Smarter Every Day shares a binaural audio recording of the SpaceX Falcon Heavy launch made by Trevor Mahlmann, with explanations of the sounds including the sonic booms of the landing boosters. It is meant to be heard with headphones.

Monty Montgomery of Xiph.org gives real-time demonstrations of sampling, quantization, bit depth and dither using real audio equipment, including both digital analysis tools and vintage analog bench gear. It shows that sampled audio is not stair-stepped and corrects common misconceptions about digital audio.

Tom Scott explains why hold music sounds worse than it used to, tracing it to old telephone exchanges and the audio compression applied by modern switches. It is a short visit to the Milton Keynes Museum.

Techmoan's beginner introduction to the compact cassette, testing metal tapes and Dolby S noise reduction on a Sony TC-S1 deck. He checks whether a cassette can sound close to a CD when good tape and equipment are used.

Matt Parker explains the history behind NTSC television running at 29.97 frames per second rather than 30, tracing it to the backward-compatible addition of color. He walks through the arithmetic behind the odd ratio.

Technology Connections explains the early history of analog color television, from the 1954 start of modern color broadcasting, and how shadow masks work in CRTs. It is the first in a series on how analog color TV works.

The Slow Mo Guys film a TV and screens with a high-speed camera to show how displays build an image. The footage includes CRT-style scanning and how pixels light up over time.

Part one of Technology Connections' account of the VHS versus Betamax format war. It argues Sony was caught off guard by JVC's cheaper, more practical VHS system.

A filmmaker explains why the Apollo moon landing footage could not have been faked in a studio, based on the video and film technology of the late 1960s. He walks through the limits of cameras, frame rates and effects of the era.

LGR looks at the 1988 Canon Xap Shot, a still video camera that records photos to a floppy disk as analog NTSC signal rather than digital data.

IEEE Spectrum interviews Samsung display researcher Johan Feenstra on how electrowetting displays work. He explains why they can match LCD capability while being about three times more efficient.

Technology Connections follows up on his analog TV video to clear up the debate over whether CRT phosphor dots are pixels. He explains the shadow mask, color triads and how they relate to the scanned picture.

Technology Connections explains how analog television produced moving images without computers, covering scanning, CRTs and standards like NTSC and PAL. It is part of a series on analog TV.

A Technology Connections video on JVC's LCCS, a display hybrid that cycles a color LCD shutter over a monochrome CRT to produce field-sequential color without dots or stripes. It builds on his earlier videos about analog TV and compatible color.

Technology Connections compares Betamax and VHS picture quality using footage from a 1979 RCA VCR and argues the Beta quality advantage was largely marketing.

A short animation that pairs the sound of a dialup modem handshake with a graphic explaining what each phase of the sound means.

Musician Adam Neely examines whether certain keys sound sadder than others, looking at the history of tuning systems and temperaments and at how instrument timbre shapes the emotional character we hear. It draws on historical aesthetics writing and audio examples.

3Blue1Brown's animated visual introduction to the Fourier Transform, showing how a signal breaks into frequency components.

The first of four short videos from Bill Hammack (engineerguy) introducing and giving the history of a 100-year-old mechanical computer, Michelson's harmonic analyzer. The series goes on to explain Fourier synthesis, analysis and operation of the machine.

3Blue1Brown shows how the uncertainty principle arises from Fourier transforms. A wave packet cannot be narrow in both position and frequency, so the principle is a property of waves rather than of measurement.

Mike Pound explains the discrete cosine transform and how it underpins JPEG compression. It is part two of Computerphile's JPEG series.

Tom Scott explains for Computerphile how Unicode and UTF-8 grew out of messy older character encodings to become the web's standard. It covers why the design works and how it handles worldwide text.

3Blue1Brown introduces Fourier series, from the heat equation to drawing arbitrary shapes with rotating circles. It builds a visual intuition for decomposing functions into sine waves.

Vox Earworm explains why John Coltrane's Giant Steps is so hard to improvise over: it is fast and moves through three keys. Musicians Braxton Cook and Adam Neely walk the host through the underlying music theory.

Adam Neely tests the claims for tuning to A=432 Hz by trying the unusual tuning systems that its proponents' numerology requires. He compares how they sound against standard tuning and temperaments.

Rick Beato argues that adults cannot develop true perfect pitch, which he ties to critical-period brain plasticity and language acquisition. He says it can only be developed in young children, and discusses the research behind this.

Technology Connections explains why the superheterodyne radio has its name and how mixing frequencies lets it tune stations well. It walks through the underlying wave phenomena and algebra and why the design solved a hard tuning problem.

Tom Scott explains why confetti and snow wreck video quality, using interframe compression and bitrate. He demonstrates it live by changing the quality on screen.

A minutephysics video explaining why a piano cannot be perfectly tuned, comparing equal temperament with just intonation and the math of harmonics.

Rick Beato analyzes the music and production of Max Martin through Ariana Grande's Into You, breaking down its layering and songwriting craft.

Tom Scott explains for Computerphile how floating point numbers work, why moving the binary point is fast, and why it handles money badly.

WIRED's 5 Levels format with Jacob Collier explaining harmony to a child, a teen, a college student, a professional and Herbie Hancock.

12tone tells the story of pitch inflation and how concert A came to be standardized at 440 Hz, including attempts at legal standards. It is a short music history explainer.

Adam Neely analyzes vaporwave through music theory, timbre and nostalgia, and includes a parody track made for the video. He also touches on the phenomenology of music.

Mathologer explains epicycles and complex Fourier series, inspired by an animation of Homer Simpson drawn with epicycles. It covers the shape of the Moon's orbit around the Sun and how to make your own epicycle drawings.

Vsauce asks whether music will ever run out of new melodies. It counts the possible note combinations and discusses how common chord progressions and remixing affect originality.

A visual scale comparison of stars and cosmic objects, from planets up to some of the largest known stars, set to music. It is meant to convey the vastness of the universe.

A BBC Earth clip from Super Powered Owls in which the team uses sensitive sound equipment to compare owl flight with other birds. It shows why owls fly almost silently.