computer music

'Pipe Dream' is the best-known piece from the first Animusic DVD, a computer-animated music video in which fantastical machines play music. The animation is driven by MIDI data.

A 1971 DEC LAB-8/e (PDP-8/e) minicomputer plays music by inducing noise into a nearby AM radio. The software is Richard Wilson's 1975 Music Compiler running under OS/8.

A one-minute demo at the Computer History Museum's IBM 1401 restoration lab, where a program makes the machine's radio-frequency interference play tunes on an AM radio.

A 1991 Amiga tracker module, 'Space Debris' by Captain (Markus Kaarlonen), uploaded as a video of the music. It is a well-known piece of demoscene-era computer music.

A short clip of a track from Emily Howell, a computer program by David Cope that composes classical-style music, performed by human players. It is a sample of algorithmic composition.

A Tiny Desk concert in which pianist Dan Tepfer plays with a Disklavier player piano driven by a program he wrote that responds to his playing. He performs four pieces from his Natural Machines project.

Adam Neely examines Phil Ewell's paper arguing Western music theory is framed by a white racial perspective. He covers North Indian theory, alternative frameworks, Schenker and responses to the paper.

Michael Steil and Christian Hessmann's 34C3 talk explaining the Apollo Guidance Computer end to end: hardware design, operating system, and mission software.

Tantacrul's 76-minute deep dive into the history of western music notation and the many proposed replacements, such as piano rolls, colored notes and the jubilate. He explains why none have displaced the current system.

Tantacrul explains how he and engraver Simon Smith designed the free music notation font for MuseScore 3.6. It draws on the history of the SCORE notation application by Leland Smith.

A full performance of Steve Reich's Music for 18 Musicians by eighth blackbird with Third Coast Percussion and others, recorded in Chicago in 2011. It is an hour-long minimalist piece built on phasing and repeating patterns.

Leonard Bernstein's 1973 Norton Lectures at Harvard, starting with Musical Phonology. He draws analogies between music and linguistics, including references to Chomsky.

Andrew Huang teaches the basics of music theory in about half an hour, covering intervals, chords and patterns. He stresses understanding how music works over memorizing terminology.

Viznut demonstrates bytebeat, experimental music generated by extremely short C programs. It is the first of a series of videos on the technique.

The first part of a four-part Channel 4 (UK) documentary series presented by Howard Goodall, this episode covers melody and why tunes affect us so deeply. It explains how melody works in Western music with historical background and music theory.

Tantacrul analyzes how stock music in reality TV uses blunt, repeated tropes to manipulate viewers, comparing it to nature documentaries. He ties it to ideas of reification and cultural homogenization.

Composer Tantacrul explores how corporatism produces soulless background music, and how some companies use such music in propaganda-style campaigns. He composes several corporate styles to show their tropes, with some music theory along the way.

Musician Benn Jordan uses AI to detect AI-generated music and digs into music industry data, including streaming payouts and sample library copyright problems. He covers ways to tell whether a track is human-made.

Adam Neely analyzes vaporwave through music theory, timbre and nostalgia, and includes a parody track made for the video. He also touches on the phenomenology of music.

A showcase of the author's fifth-generation quad-core computer built entirely from Minecraft redstone, after two years of development. It features cache, a hardware stack, a GPU driving a 15x15 display, and serial I/O ports.

Planets is a track from the audiovisual album Oscilloscope Music, in which the audio signal drives an analog oscilloscope directly. The left channel sets horizontal deflection and the right sets vertical, so the sound draws vector graphics.

The official music video for Autechre's 'Gantz Graf', a dense, glitchy electronic track paired with abstract animated 3D visuals reportedly made by hand in 2002.

A 1969 BBC Tomorrow's World segment about Nellie, a school computer used by pupils at Forest Grammar School to solve equations and play music. Students learn programming and maintenance, and act out binary arithmetic.

Viznut's third bytebeat video presents music generated by very short C programs and JavaScript expressions. It links to online tools and deeper analysis of one-line music.

An excerpt from Hal Abelson's opening SICP lecture introducing computer science and contrasting declarative and imperative knowledge. He argues that computer science is not really a science and is more like magic or engineering of ideas.

The official music video for The Chemical Brothers' Star Guitar, directed by Michel Gondry. Visuals of a passing landscape are synced to elements of the music.

John Chowning's 1977 computer music piece Stria, composed with FM synthesis, which he discovered in 1967. It unifies timbre and scale structure around the Golden Mean.

A profane video review in the Your Product Sucks series that picks apart the Apple Music app on macOS Catalina and its usability problems.

The official music video for Blues Traveler's song Hook, remastered in HD. The song is known for using the melody of Pachelbel's Canon while its lyrics comment on how hooks work.

Ben Eater's short update announcing his plan to build another 8-bit computer from scratch on camera. It kicks off the breadboard computer series that became widely known.

Robert Wills of TNMoC explains the Apollo Guidance Computer hardware and software, then walks through the Apollo 11 landing procedure step by step, including the 1202 alarms.

A 1953 US Navy training film explaining the basic mechanisms in mechanical fire control computers aboard ships. It shows how gears, differentials and cams solved mathematical problems in permanent mechanical form.

A 1953 US Navy training film on the basic mechanisms in fire control computers: shafts, gears, cams and differentials. It shows how these mechanical parts compute ship and target firing solutions.

Bassist Victor Wooten argues that music should be learned the way children learn their first language: by immersion and play, without early correction or rigid academic instruction. He draws on how babies pick up speech from the people around them.

Adam Neely's Ableton Loop 2017 talk links rhythm, pitch and synaesthesia. He shows that polyrhythms sped up become chords, so tempo and pitch are related by ratios.

A full-day recording of the University of Utah computer science department's 50th anniversary event with panels, keynotes and talks by alumni and pioneers. It includes Ivan Sutherland's presentation on single flux quantum electronics.

Sam Aaron, creator of Sonic Pi, gives a demo-heavy GOTO Chicago 2018 talk on live coding music. He covers the history of Sonic Pi, how it evolved, and what it can do for education and professional musicians.

CuriousMarc's Apollo Guidance Computer restoration series looks at core rope memory, the ROM that held the Moon landing programs. Mike Stewart builds a custom reader to recover lost AGC programs.

Seventeen-year-old Ray Kurzweil appears on the TV show I've Got a Secret in 1965, playing a piece of music composed by a computer program he built.

A short Frank Zappa interview clip on the decline of the music business, contrasting old cigar-chomping executives with younger industry people.