electronic music

The official music video for Autechre's 'Gantz Graf', a dense, glitchy electronic track paired with abstract animated 3D visuals reportedly made by hand in 2002.

A short music video by the Japanese group Electronicos Fantasticos, led by Ei Wada, playing festival-style music on repurposed old electronics. Instruments include CRT TVs, a barcode reader, an electric fan harp and TV taiko drums.

The main theme from Eduard Artemyev's score to the 1979 Soviet film Siberiade, an electronic piece that features the ANS synthesizer.

Planets is a track from the audiovisual album Oscilloscope Music, in which the audio signal drives an analog oscilloscope directly. The left channel sets horizontal deflection and the right sets vertical, so the sound draws vector graphics.

The official music video for The Chemical Brothers' Star Guitar, directed by Michel Gondry. Visuals of a passing landscape are synced to elements of the music.

'Pipe Dream' is the best-known piece from the first Animusic DVD, a computer-animated music video in which fantastical machines play music. The animation is driven by MIDI data.

A Tiny Desk concert in which pianist Dan Tepfer plays with a Disklavier player piano driven by a program he wrote that responds to his playing. He performs four pieces from his Natural Machines project.

Adam Neely examines Phil Ewell's paper arguing Western music theory is framed by a white racial perspective. He covers North Indian theory, alternative frameworks, Schenker and responses to the paper.

Tantacrul's 76-minute deep dive into the history of western music notation and the many proposed replacements, such as piano rolls, colored notes and the jubilate. He explains why none have displaced the current system.

Tantacrul explains how he and engraver Simon Smith designed the free music notation font for MuseScore 3.6. It draws on the history of the SCORE notation application by Leland Smith.

A full performance of Steve Reich's Music for 18 Musicians by eighth blackbird with Third Coast Percussion and others, recorded in Chicago in 2011. It is an hour-long minimalist piece built on phasing and repeating patterns.

Leonard Bernstein's 1973 Norton Lectures at Harvard, starting with Musical Phonology. He draws analogies between music and linguistics, including references to Chomsky.

Andrew Huang teaches the basics of music theory in about half an hour, covering intervals, chords and patterns. He stresses understanding how music works over memorizing terminology.

Viznut demonstrates bytebeat, experimental music generated by extremely short C programs. It is the first of a series of videos on the technique.

Sam Aaron live codes an ambient electronic set using Sonic Pi, the music programming environment he created. The performance shows code driving music in real time.

A long live-coded DJ set in which Sam Aaron creates all the music in real time by writing code in his Sonic Pi system. It demonstrates algorithmic electronic music performance.

The first part of a four-part Channel 4 (UK) documentary series presented by Howard Goodall, this episode covers melody and why tunes affect us so deeply. It explains how melody works in Western music with historical background and music theory.

Tantacrul analyzes how stock music in reality TV uses blunt, repeated tropes to manipulate viewers, comparing it to nature documentaries. He ties it to ideas of reification and cultural homogenization.

Composer Tantacrul explores how corporatism produces soulless background music, and how some companies use such music in propaganda-style campaigns. He composes several corporate styles to show their tropes, with some music theory along the way.

Musician Benn Jordan uses AI to detect AI-generated music and digs into music industry data, including streaming payouts and sample library copyright problems. He covers ways to tell whether a track is human-made.

Adam Neely analyzes vaporwave through music theory, timbre and nostalgia, and includes a parody track made for the video. He also touches on the phenomenology of music.

Viznut's third bytebeat video presents music generated by very short C programs and JavaScript expressions. It links to online tools and deeper analysis of one-line music.

A 1991 Amiga tracker module, 'Space Debris' by Captain (Markus Kaarlonen), uploaded as a video of the music. It is a well-known piece of demoscene-era computer music.

The official music video for Blues Traveler's song Hook, remastered in HD. The song is known for using the melody of Pachelbel's Canon while its lyrics comment on how hooks work.

Bassist Victor Wooten argues that music should be learned the way children learn their first language: by immersion and play, without early correction or rigid academic instruction. He draws on how babies pick up speech from the people around them.

Adam Neely's Ableton Loop 2017 talk links rhythm, pitch and synaesthesia. He shows that polyrhythms sped up become chords, so tempo and pitch are related by ratios.

A full-length album by The Kilimanjaro Darkjazz Ensemble, a dark, cinematic electronic jazz group. It runs about 55 minutes across nine tracks.

Sam Aaron, creator of Sonic Pi, gives a demo-heavy GOTO Chicago 2018 talk on live coding music. He covers the history of Sonic Pi, how it evolved, and what it can do for education and professional musicians.

A short Frank Zappa interview clip on the decline of the music business, contrasting old cigar-chomping executives with younger industry people.

The official music video for They Might Be Giants' "Istanbul (Not Constantinople)" from the 1990 album Flood.

Nigel Stanford's music video Cymatics, in which real science experiments, such as Chladni plates, ferrofluid and water, visualize the audio.

The official music video for Insane Clown Posse's song Miracles, from the album Bang Pow Boom.

John Chowning's 1977 computer music piece Stria, composed with FM synthesis, which he discovered in 1967. It unifies timbre and scale structure around the Golden Mean.

Vsauce asks whether music will ever run out of new melodies. It counts the possible note combinations and discusses how common chord progressions and remixing affect originality.

The official music video for Firestarter by The Prodigy, the 1990s electronic hit featuring Keith Flint.

Jim Pavloff rebuilds the Prodigy track Smack My Bitch Up in Ableton, identifying the samples used and recreating the track by hand.

Jim Pavloff rebuilds The Prodigy's 'Voodoo People' in Ableton from its listed samples. The video shows how the track is assembled and how close a handmade reconstruction can sound.

Andrew Huang explains the harmonic series, which he calls the foundation of almost all music. He builds the idea up step by step, with demonstrations of overtones and how harmonies derive from them.

A comedy-music medley from the Australian band The Axis of Awesome showing that dozens of famous pop songs use the same four-chord progression. The performers cycle through a long list of hits over the same chords.

Wintergatan's video of the Marble Machine, a hand-built music instrument that plays a song using about 2000 marbles on a mechanical clockwork-style mechanism.