music notation

Adam Neely examines Phil Ewell's paper arguing Western music theory is framed by a white racial perspective. He covers North Indian theory, alternative frameworks, Schenker and responses to the paper.

Tantacrul dissects the UX and UI of Avid's Sibelius music notation software, going through a long list of bad design choices. The review is both a comic rant and a practical lesson in interface design.

Tantacrul critiques the UX and UI of Steinberg's Dorico music notation software, comparing it with Sibelius and user testing it with real musicians alongside his own attempt to compose in it.

Tantacrul analyzes how stock music in reality TV uses blunt, repeated tropes to manipulate viewers, comparing it to nature documentaries. He ties it to ideas of reification and cultural homogenization.

Composer Tantacrul explores how corporatism produces soulless background music, and how some companies use such music in propaganda-style campaigns. He composes several corporate styles to show their tropes, with some music theory along the way.

Tantacrul gives a detailed UX and UI design review of the MuseScore 3 notation software and compares it with Sibelius. It examines visual appeal, navigation and notation quality.

A profane video review in the Your Product Sucks series that picks apart the Apple Music app on macOS Catalina and its usability problems.

Tantacrul examines sonification, the practice of turning data into sound or music, and critiques how scientists and musicians, including NASA and CERN projects, use it well and poorly.

An Every Frame a Painting video essay asking why Marvel films lack memorable musical themes. It blames temp tracks and directors scoring to filler music.

A commentary video by YouTuber PaymoneyWubby reacting to children's content on the Musical.ly app, which became TikTok. It highlights the child-safety concerns of young kids dancing on a public social platform.

Adam Neely explains that Warner Music claimed his video, which defended their copyright in a lawsuit, over a work whose copyright they had lost. He calls it an ironic and absurd claim, and the claim was later released.

Musician Benn Jordan explains how all of his music was removed from Spotify and walks through the history of digital music distribution and fake streams. He argues that Spotify's anti-bot measures are mostly a phony war.

Rick Beato discusses a theory of why some children develop perfect pitch, based on early exposure to music. He draws on his experience with his own children.

Benn Jordan argues that Spotify's business model undermines the music it sells, using streaming payout figures and the economics for artists and labels.

Music YouTuber Rick Beato describes confronting the people behind copyright blocks on one of his videos. The video is a rant about how takedowns and demonetization hit music education channels.

Tantacrul tells the story of Audacity, the widely used free audio editor, and announces his involvement in the project. It includes an interview with the original developers and a look at the software's usability.

A short, music-driven video built from Neil deGrasse Tyson's remarks on why advancing the space frontier matters, contrasting NASA's small budget with war spending and stressing inspiration.

Musician TheFatRat describes how his video with 47 million views was claimed by another party through YouTube's copyright system and how he got it back.