no-code

Ten hours of uninterrupted pink noise, intended for relaxation and masking background sound. It is a long ambient audio loop rather than a spoken video.

A 24-hour loop of Star Trek TNG starship engine ambience, meant as background sound for relaxing, sleeping or concentrating.

The official 1986 music video for Paranoimia by Art of Noise featuring the computer-generated TV personality Max Headroom. It is a synth-pop and sampling-era piece of 80s pop culture.

A hip-hop music video from EconStories in which Keynes and Hayek rap-battle over how to handle recessions and government spending. It is the second round after the first rap battle.

A recording of Erik Satie's Gymnopedie No. 1, one of the best-known pieces of minimalist piano music by the French composer.

A fan-made music video for Jonathan Coulton's song 'Code Monkey', about the life of a programmer, using World of Warcraft footage. It was made by Mike Spiff Booth.

The official music video for Kylie Minogue's Come Into My World, directed by Michel Gondry, built around a looping scene with multiplying copies of Kylie.

A Capella Science parody of Camila Cabello's Havana, retold as a song about molecular machines and nanotechnology. It features animations of rotaxanes, catenanes and molecular switches, and comes with footnotes.

A solo performance of Steve Reich's Piano Phase, with one pianist playing both parts, recorded in 2004 with Reich in attendance. It is a 15-minute minimalist phasing piece.

A full piano performance of Beethoven's Piano Sonata No. 14, the Moonlight Sonata, with all three movements: Adagio sostenuto, Allegretto and Presto agitato.

The official music video for They Might Be Giants' "Istanbul (Not Constantinople)" from the 1990 album Flood.

A 1972 song by Adriano Celentano whose lyrics are nonsense syllables designed to sound like American English to non-English speakers. It is a rock and rap-flavored novelty track with a video.

Bo Burnham's song from his special Inside, a satirical take on internet culture, attention and extremism.

Pianist Tom Brier sight-reads a piano arrangement of the Super Mario World ending theme, working from a first-draft score by Keeper1st. He takes some liberties with the score as he plays.

A 1960 CBS clip in which Leonard Bernstein introduces and conducts Bach's Keyboard Concerto No. 1 in D minor with a 28-year-old Glenn Gould at the piano. Gould's performance starts around 5:08.

The earliest existing concert video of Kraftwerk, from a 1970 performance shortly after the band formed. It shows the band in its original setup and the audience's reactions.

The full Malvina Reynolds recording of the folk song 'Little Boxes', a satire of identical suburban tract housing, later popularized as the Weeds theme. The upload includes the lyrics.

The 1994 music video for Edie Brickell and New Bohemians' 'Good Times'. It became widely known as one of the bonus videos on the Windows 95 CD-ROM.

A full performance by cellist Mischa Maisky of Bach's Cello Suite No. 1 in G, from a 1993 Unitel recording, with all six movements.

Ryuichi Sakamoto's piece Blu, performed by the Tokyo Philharmonic Orchestra. It was written to commemorate the 50th anniversary of the Aoyama clothing company.

The official remastered music video for Queen's Another One Bites the Dust from The Game (1980).

A short clip of Venetian Snares' track 'Look' from Songs About My Cats (2001), shown as a spectrogram. The audio encodes an image in its frequency content.

The official music video for A$AP Mob's Yamborghini High featuring Juicy J, known for heavy datamoshing and glitch effects with hue shifting.

Nina Paley's one-minute animated free culture anthem with vocals by Connie Champagne, arguing that copying is not theft.

Organist Hans-Andre Stamm performs Bach's Toccata and Fugue in D minor, BWV 565, on the Trost organ in Waltershausen, Germany, an instrument from 1730. The video shows the playing and footwork.

The official audio of Leonard Cohen's 'Everybody Knows' from the album I'm Your Man.

Bach's Toccata and Fugue in D minor on organ, shown with a Music Animation Machine bar-graph score instead of traditional notation.

A score-following video of Iannis Xenakis's 1950s orchestral piece Metastasis, showing his graphic, mathematically derived notation as the music plays. It is a landmark of post-war modernist composition.

Yo-Yo Ma performs Bach's Cello Suite No. 1 in G Major at the BBC Proms in 2015. It is a full solo cello performance of the suite.

A very short animated song and public service announcement saying it is fine to dislike things as long as you are not rude about it.

The 1982 novelty song "Valley Girl" by Moon Unit Zappa with Frank Zappa, a new wave track that became a cult classic. It parodies the speech of Southern California teenagers.

The music video for Pink Floyd's Another Brick in the Wall from the 1982 film The Wall, combining The Happiest Days of Our Lives and Part 2. It includes the schoolchildren and meat grinder imagery.

A short hip-hop remix of the well-known 'The missile knows where it is' monologue about missile guidance logic. It is a meme-style piece taken from 4chan.

The Galaxy Song from Monty Python's The Meaning of Life, a comic musical tour of the size and motion of the galaxy and our place in it.

Stephen Malinowski performs Bach's Little Fugue in G minor on organ, accompanied by an animated graphical score. Pedalboard playing carries one of the melodic lines.

A short video of Venetian Snares' track 'Vache' with the Renoise tracker sequencer data scrolling past, uploaded by the artist in 2006 as a demo of the software.

A Justin Bieber song slowed down 800% with the PaulStretch program, turning a pop track into a long ambient drone.

MC Frontalot's nerdcore song "Secrets From The Future" (2007), about secrets not staying hidden once future technology can break today's encryption.

The 1997 novelty song by Komar and Melamid with composer Dave Soldier, built from survey results on what listeners dislike most in music. It features bagpipes, an opera singer rapping, and a children's choir urging shopping at Wal-Mart.

Glenn Gould's 1955 recording of Bach's Goldberg Variations, uploaded as a continuous performance of about 39 minutes.