painting

The School of Life sets out principles for making attractive cities, arguing that the art has been lost in the modern world.

Noodle explores how retro pixel art was designed for CRT displays and why games look different on LCDs, with input from pixel artists and CRT researchers.

A Wendover Productions video on how the art market works, arguing that prices are driven by wealth, storage and tax mechanics rather than artistic value.

A Vox explainer on how many of the British Museum's treasures were taken during British imperial rule, focusing on the Benin Bronzes and requests for their return.

Half as Interesting explains why the Eiffel Tower's night-time lighting is under copyright, which makes publishing photos of it at night legally problematic.

A look at Le Plessis-Robinson, a French suburb transformed from modernist urbanism into traditional mixed-use fabric with local-style architecture, green space and a more balanced housing supply.

Tom Scott explains why a vivid pink pigment by artist Stuart Semple cannot be fully shown on a screen, and touches on the dispute over exclusive rights to the blackest black pigment. It is a short explainer on color gamuts and pigment politics.

Every Frame a Painting analyzes how Jackie Chan stages action comedy, with nine principles such as starting from a disadvantage, using the environment, clear shots, and keeping action and reaction in the same frame.

An Every Frame a Painting video essay on how Akira Kurosawa used movement, weather and composition to tell stories. It draws on clips and interviews with other filmmakers.

A video essay from Every Frame a Painting about Vancouver, a major film production city that almost never appears onscreen as itself. It shows clips of films and TV shot there that pass the city off as somewhere else.

An Every Frame a Painting video essay on Michael Bay's style, 'Bayhem', covering his camera movement, composition, color and editing. It argues that even if you dislike his films, they teach something about visual perception.

An Every Frame a Painting video essay analysing how Edgar Wright creates visual comedy through framing, camera movement, editing, sound effects and music.

An Every Frame a Painting video essay on Buster Keaton's visual comedy, examining how he built and framed his gags. It uses clips from his silent films to show the thinking behind them.

A video essay from Every Frame a Painting on animator Satoshi Kon and his editing style, which distorts and warps space and time. It draws on his four features and one TV series.