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Musician Benn Jordan uses AI to detect AI-generated music and digs into music industry data, including streaming payouts and sample library copyright problems. He covers ways to tell whether a track is human-made.

GoldenSound publishes music on Tidal to test MQA, a deep dive into the format's claims and problems including its leaky filter. Testing begins around the 5:45 mark.

Monty Montgomery of Xiph.org gives real-time demonstrations of sampling, quantization, bit depth and dither using real audio equipment, including both digital analysis tools and vintage analog bench gear. It shows that sampled audio is not stair-stepped and corrects common misconceptions about digital audio.

Techmoan's beginner introduction to the compact cassette, testing metal tapes and Dolby S noise reduction on a Sony TC-S1 deck. He checks whether a cassette can sound close to a CD when good tape and equipment are used.

Matt Parker explains the history behind NTSC television running at 29.97 frames per second rather than 30, tracing it to the backward-compatible addition of color. He walks through the arithmetic behind the odd ratio.

Retro Game Mechanics Explained dissects how Atari's Quadrascan vector displays and vector generator hardware drew games like Asteroids and Tempest.

Captain Disillusion's comedic, fast-paced explainer on how color works in cameras, displays and video. It covers the biology of color perception and what it means for screens.

Posy explores segmented displays, from the seven-segment display to alternative designs with fewer or more segments, with patents and history.

Musician and audio engineer Benn Jordan tries Dolby Atmos as a consumer, covering the theory of immersive audio, its business model, and home theater and headphone listening. He concludes it often falls short of the pitch.

Noodle explores how retro pixel art was designed for CRT displays and why games look different on LCDs, with input from pixel artists and CRT researchers.

Technology Connections explains why the superheterodyne radio has its name and how mixing frequencies lets it tune stations well. It walks through the underlying wave phenomena and algebra and why the design solved a hard tuning problem.

Tom Scott explains why confetti and snow wreck video quality, using interframe compression and bitrate. He demonstrates it live by changing the quality on screen.

A two-minute demonstration of the loudness war, showing how heavy dynamic range compression in CD mastering makes music louder while degrading sound quality. It uses audio examples so you can hear the distortion.

Technology Connections explains the early history of analog color television, from the 1954 start of modern color broadcasting, and how shadow masks work in CRTs. It is the first in a series on how analog color TV works.

Benn Jordan's video about storing a PNG image in a living bird, a starling that learns to reproduce encoded sounds. It mixes ornithology, audio engineering, and data encoding.

The Slow Mo Guys film a TV and screens with a high-speed camera to show how displays build an image. The footage includes CRT-style scanning and how pixels light up over time.

Part one of Technology Connections' account of the VHS versus Betamax format war. It argues Sony was caught off guard by JVC's cheaper, more practical VHS system.

A filmmaker explains why the Apollo moon landing footage could not have been faked in a studio, based on the video and film technology of the late 1960s. He walks through the limits of cameras, frame rates and effects of the era.

Tom Scott explains why hold music sounds worse than it used to, tracing it to old telephone exchanges and the audio compression applied by modern switches. It is a short visit to the Milton Keynes Museum.

LGR looks at the 1988 Canon Xap Shot, a still video camera that records photos to a floppy disk as analog NTSC signal rather than digital data.

IEEE Spectrum interviews Samsung display researcher Johan Feenstra on how electrowetting displays work. He explains why they can match LCD capability while being about three times more efficient.

Technology Connections follows up on his analog TV video to clear up the debate over whether CRT phosphor dots are pixels. He explains the shadow mask, color triads and how they relate to the scanned picture.

Technology Connections explains how analog television produced moving images without computers, covering scanning, CRTs and standards like NTSC and PAL. It is part of a series on analog TV.

A Technology Connections video on JVC's LCCS, a display hybrid that cycles a color LCD shutter over a monochrome CRT to produce field-sequential color without dots or stripes. It builds on his earlier videos about analog TV and compatible color.

Technology Connections compares Betamax and VHS picture quality using footage from a 1979 RCA VCR and argues the Beta quality advantage was largely marketing.

A short animation that pairs the sound of a dialup modem handshake with a graphic explaining what each phase of the sound means.

Tom Scott explains why subtitles often differ from dubbed dialogue, covering how translation, timing and reading speed shape each. It features translators and voice talent working in several languages.