youtube fakes

The Game Theorists analyze how PewDiePie rose to become the most subscribed channel on YouTube. The video looks at why let's plays and gaming channels thrive on the platform.

A PyCon 2012 talk by early YouTube engineer Mike Solomon on how YouTube scaled its architecture, which is mostly Python.

Numberphile visits YouTube to learn why view counts on new videos used to freeze at 301. It explains that YouTube holds counts while it verifies views aren't from bots or fakes.

Writer and artist James Bridle shows how strange and disturbing children's videos on YouTube, from surprise eggs to algorithmic mashups, are produced for ad revenue. He argues they reveal problems in a data-driven internet.

A short comedic complaint by ProZD about YouTube search failing to surface his own video even when searching its exact title. It illustrates how poor search results have become.

Tom Scott's long explainer on YouTube's copyright system, Content ID and the DMCA. He argues the platform's system is a workaround for a broader copyright system that does not fit the modern world.

Tom Nicholas critiques Veritasium's sponsored video on driverless cars, using it to examine YouTube sponsorships, science-channel credibility and how statistics and misinformation can be used in branded content.

Part 1 of Smarter Every Day's three-part series on manipulating the YouTube algorithm. It features Renee DiResta and examples of how social media platforms can be manipulated.

The Original Ace shows how creators can use a third-party music distributor to file Content ID claims on their own videos, turning false-claim abuse into a share of ad revenue. It also names distribution companies and their revenue splits.

A guide to using YouTube's Content ID by claiming your own videos through a distributor, so the claims share revenue with the creator and monetize re-uploads. It credits another creator who pioneered the method.

Musician TheFatRat describes how his video with 47 million views was claimed by another party through YouTube's copyright system and how he got it back.

Cuong Do of YouTube describes how a handful of engineers scaled the site, covering hardware, software and database scalability challenges during its rapid growth. The talk was given at the 2007 Seattle Conference on Scalability.

Coffee Break analyzes about 40,000 videos from seven months of YouTube's trending tab. It examines whether trending is biased toward mainstream media and late-night shows.

Folding Ideas examines weird, algorithm-gamed children's content on YouTube, from automated toddler videos and educational spam to exploitative prank channels. It looks at how autoplay and recommendation systems reward this material.

Linus Tech Tips addresses criticism of its clickbait-style thumbnails in an Honest Answers episode, explaining that the YouTube algorithm pushes creators toward them.

Tom Scott explains YouTube's 11-character video IDs, which are base-64 encoded 64-bit numbers, and whether YouTube could ever run out of them. It covers counting systems and base 64 briefly.

Linus Tech Tips breaks down the company's income streams, including sponsors, YouTube Premium, merch and other products. It gives percentages for each revenue source.

Chess YouTuber agadmator reports that YouTube took down his podcast with Hikaru Nakamura as harmful or dangerous content. It was later restored.

Music YouTuber Rick Beato describes confronting the people behind copyright blocks on one of his videos. The video is a rant about how takedowns and demonetization hit music education channels.

The first video ever uploaded to YouTube, in April 2005. Co-founder Jawed Karim stands in front of the elephants at the San Diego Zoo for about 19 seconds.

Highlight clip from the 2021 Free Expression Awards honoring YouTube CEO Susan Wojcicki. The video became notable for its overwhelmingly negative like/dislike ratio.

A mashup that plays a Miles Davis improvisation video alongside an LCD Soundsystem clip with no editing, so the two seem to perform together. It also became known for an affectionate mouse cursor moving along.

Veritasium explains why clickbait titles and thumbnails work, how he tests them, and why educational creators feel pushed to use them. He classifies types of clickbait and discusses the trade-offs.

Tom Scott explains why confetti and snow wreck video quality, using interframe compression and bitrate. He demonstrates it live by changing the quality on screen.

Veritasium's Derek Muller explains his hypothesis that YouTube's algorithm, not viewer preference, drives views, and that click-through rate has become the key metric. He argues this pushes creators toward clickable titles and thumbnails and leads to burnout.

A Jimquisition episode by Jim Sterling demonstrating the Copyright Deadlock, where a video includes footage owned by several companies so that competing YouTube Content ID claims cancel each other out. It highlights how absurd the system is.

Linus Tech Tips gives its 2020 breakdown of how the company earns money, including ads, sponsors, merch and affiliate links. It includes a pie chart of revenue sources.

A video debunking popular primitive-building YouTube channels, arguing that their digging, concrete and construction are staged. It uses the Primitive Technology channel as a baseline for what is plausible in a natural setting.

A nearly four-hour video essay by hbomberguy on plagiarism on YouTube, centered on specific creators who copied other people's work. It examines what plagiarism is and how it went unaddressed.

Folding Ideas uses the rise and fall of the YouTube competitor VidMe to examine why platforms are not friends to creators. It argues that alternatives to big platforms tend to attract the users banned from the original and lack a core vision.

Tom Scott examines why YouTubers must declare paid endorsements while TV, film and other media face no such rule, comparing regulations in the UK and US.

Dr. K of HealthyGamerGG explains why people feel unmotivated and unable to start tasks after hours of YouTube or similar distractions. He frames it as a result of how social media is designed to capture attention, and says not to blame yourself.

A YouTuber explores the Chernobyl zone in 2013, takes a gamma spectrum of a hot reactor fuel fragment, and jokes about a radioactive ant bite. It is a hands-on amateur look at radiation in the exclusion zone.

Dan Olson's 76-minute essay on flat earth belief, built around a hike to a lake to test earth's curvature. It examines the community, how YouTube promoted it, and how it connects to wider conspiracy thinking and QAnon.

A nine-minute Stewart Lee stand-up routine about political correctness and the claim that it has gone mad. It is dry, layered British comedy that takes the complaint apart.

An update from the Strange Parts YouTuber on his recovery from a brain injury caused by a metal pipe while filming, and his plans for the channel.

Adobe's VoCo demo from the MAX 2016 Sneak Peeks, co-hosted by Jordan Peele, showing software that changes words in a voiceover by typing new ones.

A deepfake in which Bill Hader, impersonating Arnold Schwarzenegger on a talk show, visibly morphs into Schwarzenegger. It was made with DeepFaceLab by Ctrl Shift Face.

William Osman describes helping build parts of the MrBeast Squid Game event, including hacking together hundreds of wifi-controlled blood packs in about three weeks. He covers the chaos and near-failures along the way.

Hank Green, a TikTok creator with millions of followers, explains why he thinks TikTok underpays creators. He compares its fixed-pot creator fund with YouTube's revenue sharing.