studio documentary

PBS Space Time explains the quantum eraser experiment, in which erasing which-path information appears to reverse causality in a double-slit setup. It discusses what this means for quantum mechanics.

A PBS Space Time episode introducing de Broglie-Bohm pilot wave theory, an interpretation of quantum mechanics that avoids much of the strangeness of the mainstream views. It is aimed at curious lay viewers.

A PBS Space Time episode asking what matter, mass, and energy really are, starting with inertial versus gravitational mass and what mass-energy equivalence means.

PBS Space Time introduces Miguel Alcubierre's warp drive, explaining how spacetime itself could be warped rather than moving a ship through it, and whether it is physically possible.

PBS Space Time explains what happens as you approach and cross a black hole's event horizon, using Penrose diagrams and light cones as the tool for understanding spacetime there.

PBS Space Time explains the Higgs field and how the Higgs mechanism gives particles mass within quantum field theory. It is a ten-minute overview for a lay audience.

PBS Space Time explains the Bohr-Einstein debate over quantum mechanics and how quantum entanglement settled it. It covers the weirdness of measurement and nonlocal correlations.

Walt Disney Animation Studios' short introduction to path tracing, showing how rays are traced and bounced through a virtual scene to simulate light. It explains how this approach is used in animated films.

National Geographic footage showing the cordyceps fungus infecting ants and other insects and steering their behavior so it can reproduce.

Monty Montgomery of Xiph.org gives real-time demonstrations of sampling, quantization, bit depth and dither using real audio equipment, including both digital analysis tools and vintage analog bench gear. It shows that sampled audio is not stair-stepped and corrects common misconceptions about digital audio.

A video essay from the Alt-Right Playbook series that explains how extremist movements draw ordinary people in, using deniable rhetoric, bad-faith games, and gradual escalation. It draws on books about the alt-right, male radicalization, and cult-style brainwashing.

A three-minute animated video that explains sexual consent through the analogy of offering someone a cup of tea. It is based on a blog post by Emmeline May.

Arthur Keller gives a roughly half-hour crash course on environmental collapse, covering exponential growth, carrying capacity and ecological overshoot.

The first video in a series on extremely large numbers, introducing the topic with examples. Later parts go deep into the fast-growing hierarchy.

VFX supervisor Jonas Ussing examines what studios mean by "no CGI", showing how much invisible CGI hides behind practical-effects marketing. It is the first part of a multi-part series that includes analysis of doctored behind-the-scenes footage.

Climate Town gives a comedic, fast-paced account of how the plastics industry promoted recycling, including the resin-code recycling symbol, while knowing most plastic could not be economically recycled. It points viewers to the Frontline documentary Plastic Wars for a deeper treatment.

A mini-documentary by a Canadian living in Japan explaining how an average family can afford a new detached house in Tokyo. It covers how houses are treated as depreciating assets and how Japanese zoning and building practices keep prices low.

Captain Disillusion explains the visual effects behind the Back to the Future trilogy. He covers ILM's motion-control, computer-controlled camera work and clever pre-CGI tricks.

A filmmaker explains why the Apollo moon landing footage could not have been faked in a studio, based on the video and film technology of the late 1960s. He walks through the limits of cameras, frame rates and effects of the era.

Technology Connections explains how RGB light and color work, from hue and saturation to color vision and how objects appear under different lighting. It uses a studio setup with colored lights to demonstrate the effects.