cloud computing

A 1973 AT&T training film made for new employees at Bell Labs' Holmdel Computing Center, when Unix was in its third version and running at 16 computer centers in the Bell System. It shows how users submitted jobs and used the center's machines.

IBM's Dr. Talia Gershon explains quantum computing to five people of increasing expertise: a child, teen, college student, grad student and professional. The WIRED series format moves from simple analogies to technical detail.

Fox Business interview in which Oracle co-founder Larry Ellison claims Oracle will beat Amazon at cloud databases. He argues the world's valuable data lives in Oracle and says Amazon struggled to move off it.

Dave Ackley gives a high-level introduction to robust-first computing, which prioritizes robustness over efficiency in computer architecture. A sorting demo illustrates the idea.

CuriousMarc runs the program 'Edith' on a 1959 IBM 1401 mainframe at the Computer History Museum. The program prints a famous line-printer image on the vintage machine. The video is part retro-computing demo and part joke.

A short Google video introducing the Quantum AI Lab, a partnership between Google, NASA, USRA and a 512-qubit D-Wave Two quantum computer. It covers the lab's early goals and some potential applications of quantum computing.

The opening episode of Ted Nelson's Computers for Cynics series, in which he casts doubt on conventional accounts of computer basics. He argues that conventions and packaging are mistaken for technology.

Adobe's VoCo demo from the MAX 2016 Sneak Peeks, co-hosted by Jordan Peele, showing software that changes words in a voiceover by typing new ones.

PBS Infinite Series explains how Shor's algorithm lets a quantum computer break RSA encryption, building on earlier episodes about cryptography and the math of quantum computers. It works through the idea step by step.

Dave Ackley presents robust-first computing and the ULAM programming language for the Movable Feast Machine, a cellular-automata-like architecture. It was a short video for the Future Programming Workshop 2015.

A demonstration of SymbOS, a multitasking operating system for 8-bit Z80 machines, running on a real MSX turboR with an MP3MSX card and a CF IDE interface. It shows the OS playing audio and running a graphical desktop on very old hardware, captured from the real machine and not an emulator.

A short compilation of aircraft flying through clouds and moist air, showing the spiraling vortices that wings leave behind. The footage shows wingtip vortices and the way planes disturb cloud layers.

An Asianometry explainer on why the Soviet Union, once a leading computing power, fell far behind the US in computers by the 1980s. It traces the gap from the 1960s onward despite strong state support for science.

A 2018 VICE News Tonight interview with Apple CEO Tim Cook, in which he discusses privacy as a core company value, the Facebook breach, and Apple's iCloud arrangement in China.

Huygens Optics explains the Fourier transform and shows how a lens performs one optically. A DLP projector is used as a Fourier filter to do simple pattern recognition on lithographic character patterns.

A documentary by Stuart Brown (XboxAhoy) on the history of first-person shooters on the Amiga and how Doom's arrival affected the platform.

A PBS Infinite Series episode explaining the mathematics of quantum computers, including how qubits store complex numbers and how quantum computation differs from classical computation. Hosted by Kelsey Houston-Edwards.

A short tour of the Megaprocessor, a microprocessor built at enormous scale from tens of thousands of discrete transistors. The builder shows what the machine is made of and where it now lives, at the Centre for Computing History in Cambridge, where visitors can play Tetris on it.

Freespin is a demo that runs on a Commodore 1541 floppy drive. It makes sound by vibrating the drive head and video by toggling the serial bus lines, and it keeps running after the C64 that booted it is disconnected.

A short video of the first TRON Smart House, built in 1989 as a demonstration of ubiquitous and ambient computing in the home. It comes from the uID Center, which promoted the TRON architecture.

Apple's late-1980s Knowledge Navigator concept video, produced under John Sculley, showing a professor using a tablet-like device with a conversational software agent. It envisions hypertext, touchscreens and voice assistants.

A short romantic comedy by Ted Nelson about the 'microcircuitry of love', with Doug Engelbart as his father and Stewart Brand as the villainous CEO.

Ted Nelson, in his Computers for Cynics series, gives a critical history of Xerox PARC's vision of personal computing. He lists what he sees as the limitations and wrong turns in PARC's approach to the desktop and documents.

Microsoft's 2015 concept video imagining how ubiquitous computing, collaboration services and data analytics might change work 5-10 years later.

Euclideon's 2011 technology preview of Unlimited Detail, a rendering approach claiming unlimited geometric detail in real time via point-cloud style data. The company promised more to come while keeping most work secret.

A short demo reel of the 1985 Silicon Graphics IRIS 2400 workstation animating flat-shaded polygons on a 68010 CPU. It shows the early SGI graphics that preceded their later fame.

Highlights from Doug Engelbart's December 1968 demonstration at SRI, the first public showing of the mouse, hypertext, windows, real-time collaborative editing and shared-screen teleconferencing. This is a roughly six-minute condensed version of the full demo.

A Seeker short documentary on a lab where robots run experiments with almost no human intervention, covering automation and active machine learning in drug discovery and synthetic biology.

A 1953 US Navy training film on the basic mechanisms in fire control computers: shafts, gears, cams and differentials. It shows how these mechanical parts compute ship and target firing solutions.

Tom Murphy (suckerpinch) presents a deliberately trollish computer architecture built on IEEE-754 floating point, using NaN and infinity to define logic gates. He builds working hardware around the idea.

A short SIGBOVIK 2017 presentation by Tom Wildenhain showing that PowerPoint animations are Turing complete, with a working Turing machine built in slides. The talk is delivered deadpan as a serious research result.

The 8-Bit Guy covers IBM's 1981 CGA graphics system, including how composite output and artifacting produced extra colors beyond the nominal palette. He argues CGA looked better in period than it does on RGB monitors.

CuriousMarc connects a restored 1930 Model 15 Teletype to a Linux machine and uses it as a terminal, after commenters requested it. The video shows the challenges of linking a 5-bit mechanical device to a modern OS.

Posy gives a short history of the computer mouse cursor, from early straight pointers to the tilted arrow, comparing Apple and Windows designs. He then explains why he designed his own cursor set and offers it as a free download.

Ted Nelson demonstrates Xanadu Space, his software for representing hypertext in three-dimensional space with linked, referenced content fragments.

Eon is a demoscene production by The Black Lotus, released at Revision 2019 and designed for an Amiga with OCS chipset, 512 kB chip and 512 kB fast memory. This is the party version, which has some known glitches.

Tom Scott-style exploration by suckerpinch (Tom7) of generalized anagrams where letters can be broken into pieces, called anagraphs, with a whimsical computational approach.

A 60fps capture of Future Crew's 1993 MS-DOS demo Second Reality, one of the best-known pieces of the demoscene. It runs about 16 minutes of real-time graphics and music effects on PC hardware of the era.

8088 MPH is a demoscene production for the original 1981 IBM PC with CGA graphics and a 4.77MHz 8088, shown with real composite output. It competed at Revision 2015 and pushes the hardware well past what it was thought capable of, breaking emulators.

Andrew Sorensen's OSCON 2014 keynote in which he live-codes generative music on stage using his Impromptu environment while narrating his computational and musical choices. It imagines concert programmers as a performing art.