software process

Richard Stallman's TEDxGeneva 2014 talk describing how nonfree programs give companies control over users and what users can do to regain control. It introduces the free software movement and the four freedoms.

Asianometry examines why Japan's software industry has lagged despite its hardware strengths. It looks at dependence on US software and the low prestige of programming.

A ten-minute clip from Jonathan Blow's talk on preventing the collapse of civilization, arguing that software quality and the knowledge to build it are in decline.

Andrej Karpathy's Databricks talk on Software 2.0, the shift from human-written code to code produced by neural network training. It covers how developer work moves toward curating datasets, the advantages and challenges, and opportunities for new tooling.

A short tour of the Megaprocessor, a microprocessor built at enormous scale from tens of thousands of discrete transistors. The builder shows what the machine is made of and where it now lives, at the Centre for Computing History in Cambridge, where visitors can play Tetris on it.

A short clip of the Super Mario Bros 3 proof-of-concept PC port built by id Software's founders to pitch Nintendo on a PC version. Nintendo passed, and the same technology led to Commander Keen.

A clip in which Eben Moglen tells how he grew up when software was freer and how his path crossed Richard Stallman's. He describes how they came to work together to make software free again.

A 1979 BBC Nationwide report asking whether word processors and networked microprocessors could end office commuting. It shows early word processing and a woman working from home, with surprisingly prophetic predictions.

A 2006 promotional video for sCrAmBlEd?HaCkZ!, a music software project that analyzes and reassembles sampled audio and video in real time, tied to themes of sampling and copyright.

In a New York Times interview, Jerry Seinfeld describes the anatomy of his Pop-Tart joke, still a work in progress, and shows his longhand writing process.

Karen Sandler, then Executive Director of the GNOME Foundation, talks at OSCON 2011 about the risks of proprietary, closed-source software in implanted medical devices like her own pacemaker-defibrillator.

The 1992 SIIA anti-piracy rap video Don't Copy That Floppy, warning kids against copying software, remastered and uploaded.

A Motherboard documentary episode from Nebraska about farmers and mechanics fighting manufacturers like John Deere over access to the diagnostic software needed to repair modern tractors. It shows how software locks have taken away farmers' traditional self-reliance.

Apple's late-1980s Knowledge Navigator concept video, produced under John Sculley, showing a professor using a tablet-like device with a conversational software agent. It envisions hypertext, touchscreens and voice assistants.

A short 'How It's Made' television segment showing the industrial process of turning canola seed into cooking oil. It walks through pressing, solvent extraction and refining steps.

Alan Kay's tribute to Ted Nelson at the Intertwingled festival, presented using a revived Smalltalk-78 system running on emulated 1970s Xerox PARC hardware. It shows live, user-programmable software from that era.

Casey Muratori's first refterm lecture lays out philosophies of optimization, distinguishing optimization from non-pessimization, which means avoiding needless work. It uses his fast terminal renderer project to show how fast computers really are.

Bisqwit builds a Doom or Duke Nukem 3D style software-rendered 3D engine in C from scratch, supporting non-Euclidean geometry. It covers vector rotation and portal rendering with sped-up, tool-assisted coding.

The first part of a long series documenting Dave Bull's Tokyo woodblock workshop as it produces a reproduction of Hokusai's The Great Wave. It follows the carving, proofing and printing of the reward print for Kickstarter backers.

A short conference talk from !!Con 2017 in which Kevin Chen explains the HDR imaging algorithm from a foundational paper, framing it as a system of linear equations, and implements it in a Microsoft Excel spreadsheet. No prior image processing knowledge is needed.

Technology Connections explains why the superheterodyne radio has its name and how mixing frequencies lets it tune stations well. It walks through the underlying wave phenomena and algebra and why the design solved a hard tuning problem.

Gary Bernhardt argues that software history moves in reactions to earlier tools, and that new tools are not simply better in every way. He distinguishes capability (what a tool allows) from suitability (what it fits), and warns against repeating past mistaken reactions.

The US Chemical Safety Board's updated animation of the 2005 BP Texas City refinery explosion, which killed 15 workers. It was released ahead of a process safety training application.

Neuroscientist Anil Seth argues in this TED talk that perception is a controlled hallucination: the brain constantly predicts the world and our shared agreement is what we call reality. He also touches on the construction of the self.

Gameplay footage of the original 1986 Macintosh version of Dark Castle by Silicon Beach Software. The uploader argues the original is a great game that was tarnished by inferior ports.

Tantacrul tells the story of Audacity, the widely used free audio editor, and announces his involvement in the project. It includes an interview with the original developers and a look at the software's usability.

A former Microsoft SDET with 15 years on Windows gives his view on why Windows 10 updates keep shipping with bugs. He points to changes in how the company tests its software.

An AWS re:Invent session explaining Amazon's Working Backwards process, where teams start from customer needs and write a press release and FAQ (PR-FAQ) before building. It covers the five customer questions that frame the process.

Acerola explores building a shader that turns games into ASCII art, walking through techniques such as brightness mapping and edge detection to see whether it looks good.

Audio-only recording of the first part of John Carmack's QuakeCon 2010 keynote, taken from G4TV. It covers id Software's work around that time, including Rage and platform topics such as PC, PS3 and Xbox 360, and includes his informal audience poll about paying for mobile apps.

Kurzgesagt addresses whether viewers can trust its videos, describing its research process and how it handles older videos with errors or overstated claims.

A WSJ interview in which Apple's Craig Federighi explains Apple's CSAM scanning and child-safety features, including neural hashes and safety vouchers, and defends them against backlash.

A 2007 clip in which immigration attorneys describe how they help employers run classified ads designed not to find qualified American applicants, so they can secure green cards for H-1B workers. It is presented as an exposé of the PERM process.

A short demo of real-time sparse voxel octree rendering, shown by Jon Olick at Siggraph 2008. It shows a detailed model rendered by ray casting through the octree.

A short vintage clip introducing Microsoft Excel in 1990, widely known for its elevator-themed commercial. It shows how spreadsheet software was pitched in that era.

3Blue1Brown's animated visual introduction to the Fourier Transform, showing how a signal breaks into frequency components.

Tom Scott explains for Computerphile why handling time and timezones in code is so hard, walking through a simple web app that computes how long ago something happened. It covers the quirks of timezones and calendars and ends in an exasperated rant.

A short animated simulation comparing how Multics and Unix were developed, showing why Unix's small composable programs and pipes gave it a efficiency advantage. It frames Unix as a moonshot achievable by a small team.

3Blue1Brown shows how the uncertainty principle arises from Fourier transforms. A wave packet cannot be narrow in both position and frequency, so the principle is a property of waves rather than of measurement.

Tantacrul explains how he and engraver Simon Smith designed the free music notation font for MuseScore 3.6. It draws on the history of the SCORE notation application by Leland Smith.