content-addressed code

Casey Muratori shows how typical 'clean code' object-oriented patterns can cost large factors in performance. He benchmarks them against simpler data-oriented code.

Patreon CEO Jack Conte explains how Patreon thinks about content policy and why it removed the pages of Lauren Southern, members of Defend Europe and IGD. He also describes the company's trust and safety commitments.

A Last Week Tonight segment on sponsored content in local news. John Oliver explains why local news integrity matters and how paid content disguised as news erodes it.

Dan Olson of Folding Ideas critiques Fortnite's monetization, arguing it uses manufactured discontent, such as shop design and skins, to push spending. The video dissects the psychological techniques behind the game's business model.

Folding Ideas examines weird, algorithm-gamed children's content on YouTube, from automated toddler videos and educational spam to exploitative prank channels. It looks at how autoplay and recommendation systems reward this material.

A Jimquisition episode by Jim Sterling demonstrating the Copyright Deadlock, where a video includes footage owned by several companies so that competing YouTube Content ID claims cancel each other out. It highlights how absurd the system is.

Louis Rossmann explains how Google delisted his repair business site for almost a year, and how having AI rewrite his authentic content into corporate-style text finally restored his rankings.

Brian Will follows up his earlier anti-OOP video by walking through four short code examples, including Java code in the style of Uncle Bob, to show how object-oriented design complicates simple programs. It argues that OOP hides and scatters state and adds needless indirection.

Tom Nicholas critiques Veritasium's sponsored video on driverless cars, using it to examine YouTube sponsorships, science-channel credibility and how statistics and misinformation can be used in branded content.

A John Oliver Last Week Tonight segment on native advertising, showing how ads are disguised as editorial content in news media, including BuzzFeed and major newspapers.

A Y Combinator video on vibe coding, the term Andrej Karpathy coined for letting LLMs write code. It reports what YC founders say about debugging, models and how much of their code is AI-written.

Chess YouTuber agadmator reports that YouTube took down his podcast with Hikaru Nakamura as harmful or dangerous content. It was later restored.

A one-minute clip of Steve Ballmer explaining IBM's obsession with counting thousands of lines of code (KLOCs) as a measure of programmers. He explains why that metric is useless.

Kurzgesagt argues that Facebook's claimed 8 billion daily video views are inflated by freebooting, meaning re-uploads of creators' videos. It describes how this harms independent creators.

A video essay arguing that the next major real-time strategy game will fail unless it gets the fundamentals right. It covers the playerbase and demographics, what older RTS games did well, and the roles of the engine, spectacle, development tools and player-generated content.

A nearly four-hour video essay by hbomberguy on plagiarism on YouTube, centered on specific creators who copied other people's work. It examines what plagiarism is and how it went unaddressed.

Veritasium explains why clickbait titles and thumbnails work, how he tests them, and why educational creators feel pushed to use them. He classifies types of clickbait and discusses the trade-offs.

Destin Sandlin of Smarter Every Day explains 'Facebook freebooting', where Facebook users re-upload YouTubers' videos natively and the original creators lose views and revenue. He describes his own attempts to get Facebook to act.

Adam Neely explains that Warner Music claimed his video, which defended their copyright in a lawsuit, over a work whose copyright they had lost. He calls it an ironic and absurd claim, and the claim was later released.

Musician TheFatRat describes how his video with 47 million views was claimed by another party through YouTube's copyright system and how he got it back.

Brian Will makes the case for procedural programming over object-oriented programming, arguing that OOP's promised encapsulation and decoupling are largely illusory. He analyzes real code examples and the problems of tying data to behavior in classes.

John Oliver's Last Week Tonight segment on Sinclair Broadcast Group, the largest owner of US local TV stations, and how it injects political content and scripted must-run segments into local news.

Naomi Wu visits the Shenzhen offices of smartphone maker UMIDIGI in person to get them to release source code they owed under the GPLv2, and they comply.

The Game Theorists analyze how PewDiePie rose to become the most subscribed channel on YouTube. The video looks at why let's plays and gaming channels thrive on the platform.

A Technology Connections video essay arguing that algorithmic feeds make people passive about finding content, leading to complacency in how they seek information. It urges people to actively choose what they consume.

Tom Scott recounts the worst typo he ever made, a subtle mistake in code with destructive consequences at a previous job. It is a cautionary tale about irreversible operations.

Veritasium's Derek Muller explains his hypothesis that YouTube's algorithm, not viewer preference, drives views, and that click-through rate has become the key metric. He argues this pushes creators toward clickable titles and thumbnails and leads to burnout.

A TVO current affairs panel debates Canada's Bill C-16, which added gender identity and expression to human rights law and the Criminal Code. Jordan Peterson argues it threatens free speech, and other guests respond.

A Jubilee debate-format video in which progressive commentator Mehdi Hasan faces twenty far-right conservatives. It covers contentious political topics in a confrontational discussion.

A commentary video by YouTuber PaymoneyWubby reacting to children's content on the Musical.ly app, which became TikTok. It highlights the child-safety concerns of young kids dancing on a public social platform.

Professor Dave critiques science communicator Sabine Hossenfelder, arguing that her content has drifted toward anti-establishment rhetoric. He frames it as commentary rather than a hit piece.

Kurzgesagt addresses whether viewers can trust its videos, describing its research process and how it handles older videos with errors or overstated claims.