sampling

Nate Harrison's 2004 video history of the Amen Break, a six-second drum sample from a 1969 b-side that became the basis of hip-hop sampling, jungle and drum and bass. It is also a meditation on cultural ownership and creativity.

A 2006 promotional video for sCrAmBlEd?HaCkZ!, a music software project that analyzes and reassembles sampled audio and video in real time, tied to themes of sampling and copyright.

Jim Pavloff rebuilds The Prodigy's 'Voodoo People' in Ableton from its listed samples. The video shows how the track is assembled and how close a handmade reconstruction can sound.

Jim Pavloff rebuilds the Prodigy track Smack My Bitch Up in Ableton, identifying the samples used and recreating the track by hand.

John Rauser's Strata 2014 keynote argues that programmers can learn statistics quickly by simulating random processes and shuffling data. He explains p-values through resampling rather than formulas.

Numberphile interviews Grant Sanderson of 3blue1brown about Bertrand's paradox, where different reasonable ways of picking a random chord of a circle give different probabilities.

3Blue1Brown's animated visual introduction to the Fourier Transform, showing how a signal breaks into frequency components.

3Blue1Brown shows how the uncertainty principle arises from Fourier transforms. A wave packet cannot be narrow in both position and frequency, so the principle is a property of waves rather than of measurement.

Mike Pound explains the discrete cosine transform and how it underpins JPEG compression. It is part two of Computerphile's JPEG series.

Huygens Optics explains the Fourier transform and shows how a lens performs one optically. A DLP projector is used as a Fourier filter to do simple pattern recognition on lithographic character patterns.

Tom Scott explains for Computerphile how Unicode and UTF-8 grew out of messy older character encodings to become the web's standard. It covers why the design works and how it handles worldwide text.

Technology Connections explains why the superheterodyne radio has its name and how mixing frequencies lets it tune stations well. It walks through the underlying wave phenomena and algebra and why the design solved a hard tuning problem.

Tom Scott explains why confetti and snow wreck video quality, using interframe compression and bitrate. He demonstrates it live by changing the quality on screen.

A Justin Bieber song slowed down 800% with the PaulStretch program, turning a pop track into a long ambient drone.

Onslaught's Bad Apple 64 is a Commodore 64 demo that streams over 2000 frames of the Bad Apple animation from a single disk side at 12fps, with each frame packed to around 70 bytes.

Tom Scott explains for Computerphile how floating point numbers work, why moving the binary point is fast, and why it handles money badly.

MIT researchers show that sound can be recovered from silent video by analyzing tiny vibrations in objects such as a potato chip bag. It works even with consumer cameras by using rolling shutter.

A spectrogram analysis of Aphex Twin's track commonly called [Equation] from Windowlicker, rendered from a lossless version. At about 5:30 the spectrogram reveals an image of Richard D. James's face.

A six-minute clip of Adobe's MAX 2011 sneak peek showing a Photoshop prototype that removes motion blur from photos. The audience reacts with astonishment as blurry images become legible.

A Dutch Top 2000 a gogo segment in which Norman Cook (Fatboy Slim) explains how The Rockafeller Skank is built, in his studio. The studio shows a long-running Atari ST setup.

Geoff Cumming uses a simulation to show how wildly the p value varies from one replication to the next because of sampling variability. He argues for estimation and confidence intervals over null hypothesis significance testing.